The Other Side of Studio Work

Just thought I'd give you a peek into the other not so glamorous side of glass work. Today I wrapped up a long stint of sculpture-base-making (finally). Boy, just when you are kicking back, sipping your coffee, admiring your new work, thinking you're all done... dang.

But this nice simple design comes to the rescue. It's from Paul Tarlow's book on stand ideas for glass. It's an easy way to make a good, modern base for sculpture.

Here's how the project goes:

1. Realize you have to turn off the Perry Mason rerun, put on real clothes and get the heck to the studio if you're going to live up to your full potential and prove your grade school teachers wrong.
   
2. Buy beautiful clear fir 2x6 boards, each foot costing about the same as a good steak.  Cut them to fit each landscape.
   
3. Trace the curve of the landscape onto a board and mark where the pegs will go that will hold the glass snug on the base. Repeat. Repeat. Repeat.
   
4. Drill holes for the front pegs, Mark the back pegs (again) and drill holes for them.
   
5. Cut wooden pegs to fit in the holes.
6. Sand, sand, sand, sand.
   
7. Sand, sand, sand, sand.
8. Realize you should not have sanded in your glass studio, even if it was cold outside. Try not to think about the fact that you will have to dust everything in the studio. EVERYTHING. Wonder if wood dust will just burn off in the kiln anyway.
9. Drill pilot holes for the cute little feet.
10. Clean up the boards and stain them. Twice. Decide gray is ugly, try to cover it up with another color. Wonder what that weird sensation is in your sinuses.
    
11. Wax the bases and buff to a nice glow.
12. Hammer in the cute little feet.
13. Stain the pegs and glue them in. Cut plastic tubing and slide it over the pegs.
14. Whew, finally. Cross your fingers and hope the landscape will fit just snug enough to be secure.
15. Tell yourself you've earned another hour of watching Perry Mason reruns.